A quiet and unobtrusive camera/lens combination such as this could make a very useful tool for street photography. It focuses quickly and silently and even the click stops on the aperture ring are silent. In use, there are no particular glitches or hazards to using the lens. For most general photography, it is close enough. The close focusing point of 35cm is slightly closer than the norm for a lens of this type, but nowhere near being a macro lens. This is, in fact, a slightly longer than usual standard, which some photographers may find to their liking, especially if they find themselves routinely cropping slightly. The angle of view quoted is 44.2 degrees, making this a standard lens for APS-C and equivalent to using a 53mm lens on a 35mm format camera. The lens comprises 9 elements in 6 groups, two of these being aspherical. This is perhaps not as convenient as a bayonet fitting hood but it is effective. The lens markings are engraved with precision and filled with white paint, a small point maybe, but one that is a pointer to the quality standards adhered to, as this can be more durable than surface printing.Ī small circular lens hood is supplied, which screws into the 43mm filter mount. With the Fujifilm X-A1 used for this review, the more natural way to work seems to be using the aperture ring to make the settings. Alternatively, there is an “A” setting on the ring, which allows the camera to control the aperture instead. This is click-stopped in one-third of a stop increments, is silent and positive in operation and gives the impression of a high level of precision. There is an aperture ring towards the back of the lens. Being electronic in operation, this is a very different feel to the traditional focusing ring. It has a fairly high resistance but this does give a good and reliable feel to manual focusing. The manual focusing ring is situated towards the front of the lens, is well ribbed for grip and turns smoothly. Choose used and get affordable access to kit that doesn’t cost the earth. Every month, visual storytellers sell more than 20,000 cameras and lenses to MPB. For users of entry-level models like the X-A7 and X-T200, it’s a lens that allows images with an attractive shallow depth of field to be captured at low cost.MPB puts photo and video kit into more hands, more sustainably. Most importantly it inherits the same optics from the XF35mm F2 R WR, resulting in images of identical quality and impressive quality at that. It’s not built to the same robust, weather-sealed standard it’s rather plasticky and lacks an aperture ring, but it does present advantages of its own in that it’s lightweight and has a good-sized manual focus ring. With the XC35mm F2, Fujifilm has created a nifty lens that’ll be extremely popular with entry-level and amateur X-series photographers who’d love to own a 50mm equivalent prime for half the price of the XF35mm F2 R WR. Chromatic aberration is included as part of the built-in lens profile that’s automatically applied to images. Harsh backlit scenes did expose some purple and green fringes of colour along high-contrast edges, but overall chromatic aberrations are handled well by the lens. Although the lens we’re looking at was announced alongside the X-T200, it’ll also be of interest to users of Fujifilm’s other low-cost models, such as the X-A7 and X-T30, not forgetting the many other entry-level and enthusiast models that have been released in the past.įujifilm X-T30, Fujinon XC35mm F2, 1/450sec at f/5.6, ISO 200 These differ to the company’s premium XF lenses in the way they’re designed to cater for those looking for a cheaper lens that meets strict budget constraints. The XC35mm F2 falls into Fujifilm’s camp of XC lenses. Fujinon XC35mm F2 review: So what’s different? Costing just £169, it becomes the cheapest lens available in the X-series today. It’s a fabulous lens, but £335 is still a lot of money to ask users of Fujifilm’s entry-level and enthusiast models to spend.įujifilm has responded to the cry for an even more affordable 35mm lens by making the XC35mm F2. Being a stop slower than the XF35mm F1.4 R means it doesn’t create quite the same magical blurred backgrounds wide-open, nevertheless it makes up for this by being smaller, lighter and cheaper. The XF35mm F2 R WR has been a hugely important lens for Fujifilm. From left to right, the new XC 35mm F2 (£169), the XF 35mm F2 R WR (£335) and the XF 35mm F1.4 R (£499)
0 Comments
Leave a Reply. |